"The stunningly beautiful and imaginative set design by New York-based Paul Tate de Poo III, inspired by the Art Deco riches of the historic Will Rogers Auditorium itself, is—to quote the show’s Twenties slang—a peach. His backdrop painting of a New York cityscape of the 1920s—a “rhapsody in blues” homage to early 20th century painters such as Joseph Stella or John Sloan, perhaps?—drew a gasp and murmur when the curtain went up on opening night. A particularly beautiful Art Deco latticework panel dropped down at intervals to fill the stage, a layering device that let the next scene slowly reveal itself as the screen was lifted away" 

-  TheatreJones

"Prism Theatrics makes quite a splash with their inaugural production. The production values of this Millie are stellar. The set design, by Paul Tate dePoo III is truly incredible and looks every bit as impressive as a Broadway stage." 

- The Examiner 

The strongest, most professional aspect of this production is its whimsical, expressionistic set, framed in Art Nouveau latticework flats that flow in and out with ease and speed. Far upstage a detailed, multi-faceted grey-hued panorama of New York City circa 1920 graces the full width and breadth of the back wall, giving a tangible, enticing sense of place to the production. (Set Designer — Paul Tate dePoo). It is one of the best articulated set designs I’ve seen in the region this year.

- Critical Rant 





Directed By:

Brandon Mason

Scenic Design:

Paul Tate dePoo III

Costume Design:

Tristan Raines 

Lighting Design:

Zach Blane

* Thoroughly Modern Millie is a high-spirited musical romp that has all of New York dancing the Charleston. It’s the zany new 1920’s musical that has taken Broadway by storm, winning the Tony Award for Best Musical. The show has music by Jeanine Terori, lyrics by Dick Scanlan, and a book by Richard Morris and Dick Scanlan. Based on the 1967 film of the same name, Thoroughly Modern Millie tells the story of a small-town girl, Millie Dillmount, who comes to New York City to marry for money instead of love – a thoroughly modern aim in 1922.